Showing posts with label Travel. Show all posts
Showing posts with label Travel. Show all posts

Tuesday, July 23, 2019

Personal Work, Part 2

A few weeks ago, I shared a portion of my final photography portfolio from last semester. Today I want to share the second half of the work that was produced for the final portfolio. These photographs were taken in Kansas City, New York City, London, and Paris, and all developed and printed in the Fordham University Lincoln Center darkroom.

1-8, London, March 2019

Andy and Ben, Kansas City, April 2019

The Bullet Hole, Kansas City, April 2019

French Bride, Paris, March 2019

Garden of Beauty, New York, April 2019

Designated Smoking, Kansas City, April 2019

Private Storage, New York, April 2019

Quel Optimiste, Paris, March 2019 
Rosedale Chairs, Kansas City, April 2019
Video Gifts, Kansas City, April 2019
I believe these photographs represent who I am as a photographer in my most natural state: camera in hand, prepared to roam free for hours on end. I find myself to be the most creative and the most inclined to take a photograph when my mind is free from extraneous thoughts binding me to the less artistic sides of the world, mostly organized engagements or stationary indoor tasks.

I say "stationary indoor tasks" because one of the greatest joys of being a photographer is that there are truly no constraints to photo-taking time, except for light and having a roll of film handy. There are very few moments in the day when I feel like I could not take a single photograph, and it is usually when I am sitting in the office at work. I always try to keep my camera on me, even if I am running to the grocery store at the corner, as we never know when something will urge you to take a photograph. In preparing my final portfolio for last semester, I decided to cut out one of my favorite photographs solely because all others were taken outside. 

Tesco, London, March 2019
This photograph, taken around midnight in a London grocery store truly embodies the possibilities of photography. There is always an endless supply of photo-taking opportunities, and it is our job to keep our cameras on us at all times.

Monday, July 22, 2019

A Day in New Mexico

There are few moments in time as precious as five days spent on the road, traveling through Texas, New Mexico, and Colorado with a couple of your greatest friends. And while these moments were special for all, I, in particular, found great joy in the experience with my camera in hand at all times. On the second day of the road trip, my friends and I drove from Amarillo, Texas to Tucumcari, New Mexico, a 90 minute drive on I-40 W.

Tucumcari, nestled along the mostly desolate Route 66, is a time capsule. Decorated by gas stations, motels, old theaters, saloons, and the occasional souvenir shop, I found the short time we spent in Tucumcari to be a truly magical experience, and perhaps the closest I have ever come to time travel. Our stop in Tucumcari was an equal mix of driving through the few streets in the town and frolicking through parking lots of motels that have since gone out of business, peeking into windows that haven't been washed in ages.





While we were driving, a man crossed the street, and I was able to capture it. He looked like he was pensively jaywalking to start his shift at Motel Americana, but how can we be so sure? 


The photo above was the last photograph I took while stopped in Tucumcari, New Mexico, as my friends were eager to continue our drive to the White Sand Dunes National Park further down the state. Yet my moments spent in that town made me seriously question my place in the world, as Tucumcari still has a population of 4,900, and I live in a city of over 8.6 million. As a visitor, how should I share these photos? Or do I let the few thousand residents of this town live in peace, without a photographer from one of the world's largest cities galavanting around with photos of their stomping grounds? At this moment, I treasure these photographs as a documentation of great times spent with wonderful friends, despite their absence from the images.